A Monday of Music, More on Paul Smith

17 Nov

Today I worked on pieces for two different listings. At my house in Lomita, soul suckingly situated between a sheet metal shop and a Korean Barbershop, I worked on a Dancehall/reggaeton track. That may seem unusual for those who know me, but the ugly reality is that I probably have more experience tracking that kind of stuff than anything else because of all the hours I’ve logged in Mark Mohr’s studio doing Christafari cuts. I’ve been on every Christafari/Avionblackman/’Imisi/Solomon Jabby album since 2003, playing and creating reggae and dancehall. So now I got a crack at one all my own: a simple instrumental track between 1 and 3 minutes in length.

Then I took a trip over to my mom’s where my piano resides, and continued to pound out light new agey solo piano stuff for a listing that’s asking for ‘inspirational instrumentals’. I started writing some of this on Friday, then continued last night after church, and actually kind of came up with one while playing AT church last night during a time when I was playing background stuff.

These two worlds are obviously very different, and that makes it fun. Whenenver I’m over the inspirational piano stuff, I can go dig in to a bunch of heavy dancehall stuff and vice versa.

Then later on today I headed down to Huntington Beach for Tom Kubis’s big band. I asked him about Paul Smith and he knows him well, and worked with him for years in Steve Allen’s band. He had lots of amazing stories which I may recount later.

He also gave me a compliment on a fill I did before Benny came in with a sax solo. Freaking sweet!!!!

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